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The written notation of pibroch serves mainly as a rough guide for the piper.The expression of the rhythms and tempos of the pibroch tune are primarily acquired from an experienced teacher and applied through interpretive performance practice.
Multiple written manuscripts of pibroch in staff notation have been published, including Angus Mac Kay's book A Collection of Ancient Pìobaireachd (1845), Archibald Campbell's The Kilberry Book of Ceòl Mór (1969), The staff notation in Angus Mac Kay's book and subsequent Pìobaireachd Society sanctioned publications is characterised by a simplification and standardisation of the ornamental and rhythmic complexities of many pibroch compositions when compared with earlier unpublished manuscript sources.In some cases the name and subject matter of pibroch tunes appears to have been reassigned by-19th century editors such as Angus Mac Kay, whose book A Collection of Ancient Piobaireachd or Highland Pipe Music (1838) included historically fanciful and romantic pibroch source stories by antiquarian James Logan.A number of pibroch collected by Mac Kay have very different titles in earlier manuscript sources.The siubhal comprises theme notes each coupled with a single note of higher or lower pitch that usually precedes the theme note.The theme note is held and its paired single note cut.Pibroch, Piobaireachd or Ceòl Mòr is an art music genre associated primarily with the Scottish Highlands that is characterised by extended compositions with a melodic theme and elaborate formal variations.
Strictly meaning "piping" in Scottish Gaelic, piobaireachd has for some four centuries been music of the Great Highland Bagpipe.
The timing given to the theme notes is of critical importance in displaying the virtuosity of the master piper.
If the theme and single note are repeated or played in pairs, it is referred to as a doubling, otherwise a siubhal singling. The theme note is accented and followed by a cut note of lower pitch, usually alternating, for example, between an A and a G.
Pibroch is properly expressed by minute and often subtle variations in note duration and tempo.
Traditionally, the music was taught using a system of unique chanted vocables referred to as Canntaireachd, an effective method of denoting the various movements in pibroch music, and assisting the learner in proper expression and memorization of the tune.
The oral transmission of the repertoire has led to diverse and divergent accounts of the names for tunes, and many tunes have a number of names.